Welcome back!! For six long weeks, I’ve been stuck at home, recuperating from foot surgery. I wasn’t entirely ready to return to the cineplex even today, but I couldn’t miss the chance to see Jean-Pierre Jeunet’s new film, Micmacs, on the big screen. And so, armed with my trusty crutches, and with Mr. Webber carrying a cardboard box to prop my feet on, I officially returned to the land of the living!
And Micmacs was definitely a movie worth coming out of hiding for. Jeunet was the brilliant director behind Amélie, a French phenomenon and one of my all-time favorites. Like Amélie, Micmacs is visually intriguing and rife with cunning plans. But unlike the romantically minded Amélie, Micmacs is not about love – it’s about revenge, of the purest and most noble kind.
Micmacs, which is French for “shenanigans,” doesn’t take itself too seriously, despite the seriousness of its subject matter – the international arms trade. It starts off with a bang – actually multiple bangs – and enough death and despair to make me wonder if I’d made a mistake. But soon enough, the noir wears off and the shenanigans begin, thanks to a quirky cast of characters whose flair for strategy could give the A-Team a run for its money.
If you’re familiar with Amélie – or with French cinema in general – you’ll recognize many of the faces in this film, including Dominique Pinon, Yolande Moreau, and Urbain Chancelier. And if you’re not familiar with French cinema, there’s never been a better time to try it! Micmacs is a lot of fun, like a ride through a Parisian funhouse. And the best part is that all the clowns in this caper have their hearts in just the right place.
See the Micmacs preview here:
http://www.youtube.com/watch?v=buarPFzHmBw
And for old times’ sake, see the Amélie preview here:
http://www.youtube.com/watch?v=TIYrpyt6rbk